July 22, 2016
July 20, 2016
Early last week Team Marginalia decided we were finally ready to develop a test tagset for transcribing Blake’s marginalia. We spent a lot of time trying out this new tagset using Blake’s annotated copy of J.C. Lavater’s Aphorisms on Man.
The above image is a pair of pages from Blake’s annotated copy of Aphorisms on Man. When we transcribe, we will be treating each page, not each pair of pages, as an object. (more…)
July 6, 2016
When I look back over many of the most recent blog posts—Rachel’s about how to use notes with a sense of audience, Oishani’s about Blake’s quirky punctuation, my own about the differences between red wax seals and wafers, and other posts from the past several months—I am not surprised to realize that many of these posts began in the William Blake Archive office as informal conversations about digital editing. I remember Oishani asking my input about how to encode a period under a superscript, and I recall spending the better part of an hour with Laura and Lisa discussing why and how we decide that a letter is sealed by wax or wafer. These conversations are illustrative of one of the greatest benefits of digital humanities projects: the opportunity to collaborate and work with a team of scholars from a variety of backgrounds. (more…)
June 28, 2016
Publication Announcement – First 2.75 volumes of Blake/An Illustrated Quarterly published from 1967-69
In 2014 the William Blake Archive added a new wing devoted to searchable HTML and PDF editions of back issues of Blake/An Illustrated Quarterly, beginning with issues from the years 2000-2009. In 2015 we added the forty issues from 1990 to 2000 and five issues published since 2010. Earlier this year we announced the publication of the quarterly’s forty issues from 1980 to 1990. Today we are pleased to publish the first two volumes and three issues of the third volume, 1967-69, of what began as the Blake Newsletter—$2 for four issues. (more…)
June 15, 2016
An article has just been published in the very first issue of the new journal, Digital Literary Studies called “Encoding the Edge: Manuscript Marginalia and the TEI” by Laura Estill. Nothing could be more timely, given BAND’s new project to encode Blake’s marginalia, and I’m sure that we’ll be referring to this paper over and over again as we press on with our task. (more…)
June 10, 2016
The upcoming volume year is our fiftieth, an anniversary that seems perversely inevitable given Morton Paley’s words in the first issue of 15 June 1967: “I think the Newsletter should be just that—not an incipient journal.” That issue included a report on the rediscovery of the Small Blake-Varley Sketchbook and solicited opinions on the dating of the two Nights the Seventh in The Four Zoas.
Morton has been the editor since the beginning, and Morris Eaves for almost that long. Thanks to them and to all those who have contributed and given support, we have reached a milestone that we intend to celebrate in our usual small but mighty fashion.
June 2, 2016
Recently, Oishani posted about the different choices scholars have made in their transcriptions of the “quirky” punctuation in Blake’s receipts. Currently, the protocol has been to attach a note to the specific line of the transcription in which these punctuation discrepancies occur. However, as Oishani points out, though Bentley and Keynes do not treat punctuation systematically, we still have many nearly identical notes about minute differences in punctuation. What is the importance in noting these differences? Should we focus on punctuation in the receipts on a larger scale? Oishani ends her post asking us to consider if it would be more useful to have individual notes on each of the receipts, or to have a set of notes that covers the entire set of receipts and discusses recurring issues like punctuation in detail?
May 27, 2016
Part 1 of Michael Phillips’s description of organizing the Ashmolean Blake exhibition of 2014–15 appeared last week. Here is the continuation.
SJ: Once you had the framework of Blake as apprentice and master, how did you determine which other works you wanted to include? What came next?
MP: First I needed to see the galleries that would be used for the exhibition. I also needed to obtain a floor plan to use at home to be able to check the wall space available for hanging exhibits and the floor space available for display cases. (more…)
May 25, 2016
While finishing up work on a set of Blake’s letters from the Westminster Archives, I ran across a question that has made me a minor expert on a very minor piece of history: the difference between wafers and wax seals in nineteenth-century England. My curiosity about the difference in these two methods of sealing letters came about when I encountered the following seal on Blake’s Letter to Mr. Butts, 10 January 1802:
May 19, 2016
Every so often I publish a Q&A, and today’s guest is Michael Phillips, guest curator of the William Blake: Apprentice & Master exhibition at the Ashmolean Museum, Oxford, in 2014-15. I had a very murky idea of how an exhibition comes to life, so thought I’d find out. (more…)